Sunday, December 21, 2008
Friday, October 31, 2008
Saturday, October 25, 2008
Monday, July 28, 2008
Images Of Tattoos Covering Stretch Marks
CTRL - Surveillance Research
series "CTRL - Images of surveillance"
If the word "video" to its Latin origin, with "I see," translated, then that would mean video surveillance, "I see-monitoring". This is
recently awarded the " Canon Professional Photo Föderpreis " excellent project idea is an attempt at a photographic inventory of the increasing presence of surveillance cameras as a control and safety equipment in public spaces.
My photographic work is conceived as a documentary collection. Is still the primary purpose of so-called optical space surveillance systems also in the continuous collection of digital data of events between space and time.
video surveillance is an instrument for securing control and hence of domination. One should not underestimate their symbolic nor its real power. There is a controversial debate about the extent their contribution is associated with an alleged multi-perceived safety of an erosion of civil liberties. As a photographer, but I'm interested in not only this inherent dilemma of video surveillance systems.
The voyeuristic aspect of each specific observation refers to me as to the ambivalent role of myself as a photographer. I too am an observer of my surroundings as well as collectors archivist and special moments in the form of digital data. Even Walter Benjamin noted, "Any modern man can make a claim to be filmed (photographed respectively) to." Today - in times of constant video surveillance - could be formulated pointedly: "No one can claim the right, to go undetected through the city."
will respect the mere documentation of optical surveillance devices in the end to reflect on my personal role and responsibility as a photographer. Formal
I try therefore a subjective evaluative perspective to avoid possible and leave through a low-key, documentary imagery the viewer the judgments themselves. The viewer is the attentive observer of us are more observant and more equipment. Accordingly, I understand
my photographic series of surveillance cameras in public spaces in the first place as a mere document. The images are nothing more or less as a collection of digital data. 
series "CTRL - Images of surveillance"
If the word "video" to its Latin origin, with "I see," translated, then that would mean video surveillance, "I see-monitoring". This is
recently awarded the " Canon Professional Photo Föderpreis " excellent project idea is an attempt at a photographic inventory of the increasing presence of surveillance cameras as a control and safety equipment in public spaces.
My photographic work is conceived as a documentary collection. Is still the primary purpose of so-called optical space surveillance systems also in the continuous collection of digital data of events between space and time.
video surveillance is an instrument for securing control and hence of domination. One should not underestimate their symbolic nor its real power. There is a controversial debate about the extent their contribution is associated with an alleged multi-perceived safety of an erosion of civil liberties. As a photographer, but I'm interested in not only this inherent dilemma of video surveillance systems.
The voyeuristic aspect of each specific observation refers to me as to the ambivalent role of myself as a photographer. I too am an observer of my surroundings as well as collectors archivist and special moments in the form of digital data. Even Walter Benjamin noted, "Any modern man can make a claim to be filmed (photographed respectively) to." Today - in times of constant video surveillance - could be formulated pointedly: "No one can claim the right, to go undetected through the city."
will respect the mere documentation of optical surveillance devices in the end to reflect on my personal role and responsibility as a photographer. Formal
I try therefore a subjective evaluative perspective to avoid possible and leave through a low-key, documentary imagery the viewer the judgments themselves. The viewer is the attentive observer of us are more observant and more equipment. Accordingly, I understand
my photographic series of surveillance cameras in public spaces in the first place as a mere document. The images are nothing more or less as a collection of digital data.
Images Of Tattoos Covering Stretch Marks
CTRL - Surveillance Research
series "CTRL - Images of surveillance"
If the word "video" to its Latin origin, with "I see," translated, then that would mean video surveillance, "I see-monitoring". This is
recently awarded the " Canon Professional Photo Föderpreis " excellent project idea is an attempt at a photographic inventory of the increasing presence of surveillance cameras as a control and safety equipment in public spaces.
My photographic work is conceived as a documentary collection. Is still the primary purpose of so-called optical space surveillance systems also in the continuous collection of digital data of events between space and time.
video surveillance is an instrument for securing control and hence of domination. One should not underestimate their symbolic nor its real power. There is a controversial debate about the extent their contribution is associated with an alleged multi-perceived safety of an erosion of civil liberties. As a photographer, but I'm interested in not only this inherent dilemma of video surveillance systems.
The voyeuristic aspect of each specific observation refers to me as to the ambivalent role of myself as a photographer. I too am an observer of my surroundings as well as collectors archivist and special moments in the form of digital data. Even Walter Benjamin noted, "Any modern man can make a claim to be filmed (photographed respectively) to." Today - in times of constant video surveillance - could be formulated pointedly: "No one can claim the right, to go undetected through the city."
will respect the mere documentation of optical surveillance devices in the end to reflect on my personal role and responsibility as a photographer. Formal
I try therefore a subjective evaluative perspective to avoid possible and leave through a low-key, documentary imagery the viewer the judgments themselves. The viewer is the attentive observer of us are more observant and more equipment. Accordingly, I understand
my photographic series of surveillance cameras in public spaces in the first place as a mere document. The images are nothing more or less as a collection of digital data.
series "CTRL - Images of surveillance"
If the word "video" to its Latin origin, with "I see," translated, then that would mean video surveillance, "I see-monitoring". This is
recently awarded the " Canon Professional Photo Föderpreis " excellent project idea is an attempt at a photographic inventory of the increasing presence of surveillance cameras as a control and safety equipment in public spaces.
My photographic work is conceived as a documentary collection. Is still the primary purpose of so-called optical space surveillance systems also in the continuous collection of digital data of events between space and time.
video surveillance is an instrument for securing control and hence of domination. One should not underestimate their symbolic nor its real power. There is a controversial debate about the extent their contribution is associated with an alleged multi-perceived safety of an erosion of civil liberties. As a photographer, but I'm interested in not only this inherent dilemma of video surveillance systems.
The voyeuristic aspect of each specific observation refers to me as to the ambivalent role of myself as a photographer. I too am an observer of my surroundings as well as collectors archivist and special moments in the form of digital data. Even Walter Benjamin noted, "Any modern man can make a claim to be filmed (photographed respectively) to." Today - in times of constant video surveillance - could be formulated pointedly: "No one can claim the right, to go undetected through the city."
will respect the mere documentation of optical surveillance devices in the end to reflect on my personal role and responsibility as a photographer. Formal
I try therefore a subjective evaluative perspective to avoid possible and leave through a low-key, documentary imagery the viewer the judgments themselves. The viewer is the attentive observer of us are more observant and more equipment. Accordingly, I understand
my photographic series of surveillance cameras in public spaces in the first place as a mere document. The images are nothing more or less as a collection of digital data.
Images Of Tattoos Covering Stretch Marks
CTRL - Surveillance Research
series "CTRL - Images of surveillance"
If the word "video" to its Latin origin, with "I see," translated, then that would mean video surveillance, "I see-monitoring". This is
recently awarded the " Canon Professional Photo Föderpreis " excellent project idea is an attempt at a photographic inventory of the increasing presence of surveillance cameras as a control and safety equipment in public spaces.
My photographic work is conceived as a documentary collection. Is still the primary purpose of so-called optical space surveillance systems also in the continuous collection of digital data of events between space and time.
video surveillance is an instrument for securing control and hence of domination. One should not underestimate their symbolic nor its real power. There is a controversial debate about the extent their contribution is associated with an alleged multi-perceived safety of an erosion of civil liberties. As a photographer, but I'm interested in not only this inherent dilemma of video surveillance systems.
The voyeuristic aspect of each specific observation refers to me as to the ambivalent role of myself as a photographer. I too am an observer of my surroundings as well as collectors archivist and special moments in the form of digital data. Even Walter Benjamin noted, "Any modern man can make a claim to be filmed (photographed respectively) to." Today - in times of constant video surveillance - could be formulated pointedly: "No one can claim the right, to go undetected through the city."
will respect the mere documentation of optical surveillance devices in the end to reflect on my personal role and responsibility as a photographer. Formal
I try therefore a subjective evaluative perspective to avoid possible and leave through a low-key, documentary imagery the viewer the judgments themselves. The viewer is the attentive observer of us are more observant and more equipment. Accordingly, I understand
my photographic series of surveillance cameras in public spaces in the first place as a mere document. The images are nothing more or less as a collection of digital data.
series "CTRL - Images of surveillance"
If the word "video" to its Latin origin, with "I see," translated, then that would mean video surveillance, "I see-monitoring". This is
recently awarded the " Canon Professional Photo Föderpreis " excellent project idea is an attempt at a photographic inventory of the increasing presence of surveillance cameras as a control and safety equipment in public spaces.
My photographic work is conceived as a documentary collection. Is still the primary purpose of so-called optical space surveillance systems also in the continuous collection of digital data of events between space and time.
video surveillance is an instrument for securing control and hence of domination. One should not underestimate their symbolic nor its real power. There is a controversial debate about the extent their contribution is associated with an alleged multi-perceived safety of an erosion of civil liberties. As a photographer, but I'm interested in not only this inherent dilemma of video surveillance systems.
The voyeuristic aspect of each specific observation refers to me as to the ambivalent role of myself as a photographer. I too am an observer of my surroundings as well as collectors archivist and special moments in the form of digital data. Even Walter Benjamin noted, "Any modern man can make a claim to be filmed (photographed respectively) to." Today - in times of constant video surveillance - could be formulated pointedly: "No one can claim the right, to go undetected through the city."
will respect the mere documentation of optical surveillance devices in the end to reflect on my personal role and responsibility as a photographer. Formal
I try therefore a subjective evaluative perspective to avoid possible and leave through a low-key, documentary imagery the viewer the judgments themselves. The viewer is the attentive observer of us are more observant and more equipment. Accordingly, I understand
my photographic series of surveillance cameras in public spaces in the first place as a mere document. The images are nothing more or less as a collection of digital data.
Saturday, July 26, 2008
Tuesday, July 8, 2008
Tuesday, February 19, 2008
Wednesday, January 9, 2008
Camillus Cuda Maxx For Sale
Morroco I tanger 2005 - fes - marrakesh - Essaouira - Rabat - chefchouen
Camillus Cuda Maxx For Sale
Morroco I tanger 2005 - fes - marrakesh - Essaouira - Rabat - chefchouen
Camillus Cuda Maxx For Sale
Morroco I tanger 2005 - fes - marrakesh - Essaouira - Rabat - chefchouen
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